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Issue #12
November – December 2017
100 Page
26-Page Design in Belgium Special
On creating a fanzine for kids by Chloé Perarnau and Fanny Dreyer
On running neighbourhood jazz venue Sounds Jazz Club by Sergio Duvalloni
On fighting for colonial contextualisation by Kalvin Soiresse Njall
On being another kind of venue by Tommy De Nys
On increasing transparency by Christophe Van Gheluwe
On creating music producing software Fruityloops by Jean-Marie Cannie
The neighbourhood neo-canteen using social inclusion as its prime ingredient for local change
The story behind one of the best Belgian boogie records you probably never heard of
Denis M’punga discusses his early 80s work with producer Patrick Stas aka Paul K.
Deciphering the bewildering world of Brussels-based record label Crammed Discs.
“Art should protect vulnerable histories and project future hypothesis, repositioning perspectives and unravelling potentiality.” The cerebral work of Emmanuel Van der Auwera.
